To celebrate the release of the film Mother Mary, starring Anne Hathaway and Michaela Coel, in which a fashion designer creates a comeback dress for a pop star, we weigh up the best performative looks
“Dressed like a fabulously turned-out carrion crow,” is how our reviewer described the gothic, avian-like get-up PJ Harvey wore to perform her journalistic and theatrical ninth album, The Hope Six Demolition Project, in Brixton, south London, in 2016. The dress was the work of Harvey’s longtime friend, the Belgian designer Ann Demeulemeester, and epitomises the more dramatic stage looks – melodramatic but pared-back – that Harvey turned to for her later, darker albums. As she said of the clothes: “For me, it’s about the ability to meet the world. And it is a second skin, isn’t it? It’s protection, as well. It’s a very big part of clothing, the feeling of protection, particularly in Ann’s clothes.” Who would have thought that someone who earlier in their career took to the stage in Spice Girls co-ords and hot-pink catsuits would wind up in such serious Belgian high-fashion? Ellie Violet Bramley
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