Dior turns up springtime-in-Paris for Anderson’s second womenswear show

Northern Irish designer ditches darker undercurrents for seductive vision of Monet’s waterlilies at opening show of Paris fashion week

In a dark news cycle, joy sells. With his second major womenswear show for Dior, the Northern Irish designer Jonathan Anderson put a pin in the soul-searching of his first season and plunged gleefully for the springtime-in-Paris jugular. For the opening show of Paris fashion week, Dior offered a seductive vision of Monet’s waterlilies, walks in the Tuileries gardens, and the Eiffel Tower glittering in the sunshine.

Anderson, a keen art collector who moved to Paris for the Dior role last year, has been looking at Seurat’s romantic paintings of ordinary Parisians at leisure, as well as Monet. A promenade across the octagonal pond of the Tuileries was built as a catwalk, and the Sunday sailboats upgraded for the occasion into giant lily pads with vibrant blooms. Dollhouse-sized pairs of classic French green park chairs were sent out as whimsical invitations.

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Silvana Armani emphasises softness and wearability in Milan solo debut

Late designer’s niece opts for natural womenswear look after Bottega Veneta features swishy yeti coats in faux fur

Does it matter who designs women’s clothes? Silvana Armani – niece of the late Giorgio, creative director of womenswear and one of the few women in charge of a fashion house – thinks so.

“The way women and men relate to their bodies is different, which affects the design process. Dressing a woman is more complex than dressing a man,” she said before her first solo show on the last day of Milan fashion week. “Yet, as a woman, you know your body. You try things on and notice if a jacket’s length is off, adjusting it as necessary.”

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‘Muslim women are not afraid to be seen’ – the power of the printed hijab

At London fashion week models wore headscarves adorned with jewellery, and brands like Vela are leading the change online. For gen Z Muslim women, bolder designs are making a break from darker colours

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There’s a common sentiment among my hijab-wearing friends: a plain black headscarf is the equivalent of putting your hair in a slickback bun. A slickback bun is classic, timeless and polished – it can go with almost anything.

But, it can also look a little tired. I love bold prints, and it isn’t just me. A friend of mine gravitates toward leopard prints and pashmina-style scarves, a nod to her Kashmiri heritage. And it’s not only an aesthetic choice – for many hijab-wearing women, patterned scarves feel like a push against the idea that Muslim women should blend in.

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Touch, sound and style: how London fashion week is opening up to visually impaired guests – photo essay

From live audio descriptions to fabric swatch booklets, designers including Chet Lo are rethinking the catwalk experience for blind and low-vision clothes-lovers

‘If you put your hands out and run your fingers along this skirt, you’ll feel that there are soft feathers appliquéd on to it,” says the fashion designer Chet Lo. “The skirt is emerald green in colour with black panels on the side and it is designed to be very fitted on the body.” Lo is speaking to a group of six guests ahead of his London fashion week show, offering them a sneak preview of his new collection that will shortly be unveiled on the catwalk.

Chet Lo shows his Night Market collection at the Mandarin Oriental hotel at London fashion week

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Young fashion fans help UK charity shops thrive on struggling UK high streets

Sales beat wider retail sector last year thanks to customers inspired by websites such as Vinted, industry body says

Young people inspired by secondhand fashion websites such as Vinted and Depop are helping charity shops thrive despite rising energy and employment costs.

Save the Children’s retail sales rose 3% last year, helped by a surge in December when the charity rang up 11% more than the same month a year before, raising more than £1m for its causes.

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