Is the tie dead? Fashion connoisseurs hope not as House of Lords relaxes rules

Switch to ‘business attire’ is a sign of the times, but formal neckwear still has its place, say some of Savile Row’s finest-dressed

The House of Lords has long been derided as a stuffy relic of the past. But now its benches, usually filled with haughtily dressed men, could soon resemble something more akin to “dress-down Friday”.

One of the nation’s most storied chambers of power has enacted a rule change: men are no longer required to wear a tie in the House of Lords. Instead, they should opt for “business attire”.

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Rain check: what to wear with an anorak

From the hills to the high street, a decent windbreaker will see you through September showers

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Are you washing your sportswear wrong? An expert guide to making it last longer

From sweaty kit to grubby trainers, here’s how to wash, repair and care for activewear more sustainably

• The best moisture-wicking underwear, socks and base layers

As a running and cycling journalist, I spend a lot of time in sportswear. Lycra is my leg coverage of choice, polyester or merino wool my base layer, and I reach for technical materials like Gore-Tex if the weather isn’t playing ball.

A near-daily workout schedule means my washing machine’s sportswear setting takes a hammering to avoid having a laundry basket overflowing with sweaty, salty, sour-scented clothes. But even then, tops can develop hard-to-shift smells in sweat-prone areas, synthetic materials can start to bobble and lose shape, and my sportswear occasionally gets a foamy detergent residue that hasn’t been properly rinsed out, particularly during wet or intensive training sessions.

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Sali Hughes on beauty: lip gloss is back in vogue and these new formulas have me hooked

Personally, I’ve never been a fan of painting on the gloss, but thanks to a range of fresh formats in sophisticated shades and textures, my head – and lips – have been turned

I’m deeply suspicious of people who never change their minds. To be so completely sure of anything as to be permanently entrenched in any position isn’t something I admire, which is why I shove an olive into my mouth every couple of years and hope it finally takes.

I do the same with lip gloss, with historically similar results. Fashion has, until recently, been on my side. Less sophisticated than lipstick, overshadowed by TikTok trending lip oils, less effortless cool-girl than tinted lip balm, gloss has barely had a look-in these past few years, but new formulas steal from other formats for a better user experience and, well, like everything eventually, lip gloss is back in vogue.

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Hard parties, cheap rents and horrible flats: how 90s art and fashion redefined British culture

An evocative new Tate Britain show captures an era when the UK’s newly flush creative industries teamed up with a generation of skint dreamers to bring the decade into vivid colour

Here is Kate Moss, with pink hair splayed across a pillow, her face scrubbed of makeup, her smile sweet and wonky. Sarah Lucas’s Pauline Bunny artwork with its confrontational hosiery on a charity shop chair. Sean Ellis’s collaborative knights-in-grubby-armour shoot with Alexander McQueen. Here are happy ravers, in a club, or saluting the sun as it stretches and yawns over a litter-strewn hill.

These photos are old. They were taken a long time ago. But they’re young, too. They are curated by Edward Enninful for the Tate’s exhibition The 90s: Art and Fashion (Enninful worked at i-D in the 90s) and almost everyone involved is shiny and fresh. The models, whether professional or not, are mostly in their 20s, and the photographers are early in their careers. It gives the photos a youthful fizz, a verve. But the energy also comes from an understanding between photographer and subject. In many of the pictures you can feel the shared mischief, a “yes we’re serious about our ideas” but also a “look, we’re getting away with it!” delight.

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