Event chairs Nicole Kidman, Beyoncé, Venus Williams and Anna Wintour have guests dress to the theme ‘Fashion is art’ at the event controversially funded by new honorary chairs Jeff Bezos and Lauren Sánchez Bezos
Continue reading...PM’s wife, accompanying him to the polls, follows a long line of women to mobilise the jacket when stakes are high
Not a white flag but a cream blazer was what Victoria Starmer chose to wear to accompany her husband, the prime minister, to vote on Thursday morning. She follows in a long line of women who have mobilised the power blazer at high-stakes moments.
Starmer’s, which looks much like a £1,690 ivory Alexander McQueen crepe design, comes hot on the lapels of another. In episode one of the new series of Amandaland, Amanda wears a beige double-breasted iteration in a high-stakes fictional moment: to give a toe-curling talk about her (not shallow) lifestyle brand Senuous as part of careers week at her kid’s school. Earlier in the week, the Princess of Wales launched the Foundations for Life report wearing a creamy beige high-waisted Roland Mouret suit.
Continue reading...On Sunday night in Sydney, on the eve of Australian fashion week, First Nations Fashion and Design (FNFD) staged their first runway show in four years. Titled Reclamation, the collective featured the work of six Indigenous brands and designers with an all-Indigenous cast of models, and closed with performances from rapper Barkaa and poet Luke Currie-Richardson. Announcing their plan to become an annual runway platform for Indigenous designers – outside of the industry’s formal structures – the FNFD founder, Grace Lillian Lee said: ‘Reclamation was never designed to fit comfortably within the existing fashion system. It was designed to challenge it, expand it, and ensure that our voices are not invited in temporarily, but embedded permanently within the future of Australian fashion’
Continue reading...Whitaker Malem worked with pop art sculptor Allen Jones, visual artist Nadia Lee Cohen and a car bodyshop in Kent
At Monday’s Met Gala, it inevitably fell to Kim Kardashian to deliver the evening’s biggest jolt. One of the few celebrities to straightforwardly interpret the “fashion is art” dress code – which focused on how the dressed and undressed human body is the through-line in most works of art – she decided to forgo her usual role as a walking billboard for a major fashion house and instead arrived in an orange fibreglass breastplate created by a small east London art duo and a car bodyshop in Kent.
“Good art should start conversation, and Kim did exactly that,” says 61-year-old Patrick Whitaker, half of the design practice Whitaker Malem, who made the breastplate just weeks before the gala. “She was very clear on wanting a breastplate, very clear on the car body finish. And I think she was nervous really. She understands the competition.”
Continue reading...Whether it’s Palantir selling a $239 chore coat, Anthropic taking over a coffee shop or executives walking the red carpet at the Met Gala, tech’s biggest players are pivoting to fashion to sell their brands – and attempt to appear cooler in the process
Last week, the US spy tech and data firm Palantir launched its latest “merch drop”, including a denim chore coat. “Rugged utility, enduring style” reads the website’s description of the $239 (£175) jacket, which is branded with the company’s logo on the chest pocket and comes in blue or black.
Eliano Younes, the head of strategic engagement at Palantir, told the New York Times that it was part of the company’s commitment to “re-industrializing America” – the jacket is made in Montana and recalls workwear of a previous era. “It’s not political,” he added. “It’s about people who love Palantir and are aligned with our mission.”
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