Matthieu Blazy’s fifth Chanel show hits Biarritz beachfront

Show features pink denim and suit printed with headlines from Gabrielle Chanel’s time in resort town

Chanel’s honeymoon period with the new designer Matthieu Blazy is showing no signs of cooling. Blazy’s fifth catwalk show – on the Biarritz beachfront where the young milliner Gabrielle Chanel opened a couture house in 1915 – was an irresistibly seductive love letter to the enduring allure of the double-C logo.

The day before the show, sales assistants at the Biarritz boutique were holding up Chanel beach towels on the shop floor to create extra changing room space for shoppers impatient to buy jeans at €3,100 (£2,690) a pair. Blazy’s jeans are becoming a totem of the new Chanel, which, in aesthetic, although certainly not in price, marries high taste with an inclusive, democratic point of view.

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Joan Burstein obituary

Co-founder of Browns, the celebrated London fashion store, who encouraged young designers such as Alexander McQueen

For London’s fashion-aware in 1970, South Molton Street was just a shortcut through dull Mayfair from Selfridges in Oxford Street to the Fenwick store in Bond Street. And then Joan Burstein, with her husband, Sidney, acquired No 27, an 18th-century row house, from Sir William Pigott-Brown, and kept his name for their clothes store. Over the next 50 years, much of South Molton Street became the empire of Browns.

The Bursteins pioneered an approach to retail that we would now call “curation”. Designers in other countries were already producing prêt-à-porter, and gifted young British talents were making experimental collections, so there was excellent potential stock.

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Lily Allen’s ‘revenge’, Harry Styles’ Dorothy and Debbie Harry’s T-shirt – 20 onstage dresses ranked!

To celebrate the release of the film Mother Mary, starring Anne Hathaway and Michaela Coel, in which a fashion designer creates a comeback dress for a pop star, we weigh up the best performative looks

“Dressed like a fabulously turned-out carrion crow,” is how our reviewer described the gothic, avian-like get-up PJ Harvey wore to perform her journalistic and theatrical ninth album, The Hope Six Demolition Project, in Brixton, south London, in 2016. The dress was the work of Harvey’s longtime friend, the Belgian designer Ann Demeulemeester, and epitomises the more dramatic stage looks – melodramatic but pared-back – that Harvey turned to for her later, darker albums. As she said of the clothes: “For me, it’s about the ability to meet the world. And it is a second skin, isn’t it? It’s protection, as well. It’s a very big part of clothing, the feeling of protection, particularly in Ann’s clothes.” Who would have thought that someone who earlier in their career took to the stage in Spice Girls co-ords and hot-pink catsuits would wind up in such serious Belgian high-fashion? Ellie Violet Bramley

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Death of the gatekeeper: Devil Wears Prada 2 depicts a revolution in the fashion world

Film sequel reveals how luxury brands have turned the tables on once-dominant magazine editors

The National Gallery was the grand setting for the party that followed The Devil Wears Prada 2’s London premiere this week. Donatella Versace held court in a roped-off area beneath Paul Delaroche’s The Execution of Lady Jane Grey.

Meryl Streep, reprising her role as Miranda Priestly – Anna Wintour’s fictional alter ego – wore a red satin Prada coat as a nod to the film’s title and black sunglasses as a wink to Wintour. Glossy magazine editors from Spain, Germany and the Netherlands, flown in for the night, nibbled on fried chicken served with caviar and dishes of mac and cheese presented theatrically under silver cloches.

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Hat trick: what to wear with a baseball cap

The sun is out, and the sensible ones among us are already wearing hats and SPF. Not a hat person? Try a slogan cap. They work with almost anything

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