Wednesday, October 21, 2026

Jess Cartner-Morley on fashion: don’t want to get your Big Winter Coat out just yet? Try ‘onion dressing’

It’s time to learn the art of layering – and we’re talking a crew neck with a ballet wrap and blazer, not full-on outdoor explorer

Is layering an art? Probably not in the traditional sense. We are not talking the Bayeux tapestry here. No one is going to queue round the block to admire the subtle interplay between your Uniqlo Heattech and your cashmere crewneck. Still, I think it’s nice to romanticise this stuff. The deeply unpoetic truth is that it is going to get cold and wearing one item of clothing at a time simply isn’t going to cut it. So let’s pretend that the sliver of white T-shirt beneath a jumper, the shirt collar poking out above a cardigan, or the ballet wrap over a snug top are not acts of basic thermal self-preservation, but composition. A creative statement about proportion, texture, colour and self-expression. If you have to wear half your wardrobe at once, you may as well make a masterpiece out of it.

The avant-garde layering term to drop in order to sound like a connoisseur this season is onion dressing. Not the most romantic name, but a clear visual for the most refined form of layering, which is fine layers rather than hefty ones. And instead of the top layer covering all beneath it, each piece should be visible. As if we were slicing through the onion and looking at a cross-section if you will excuse me labouring the allium thing. This is layering with finesse rather than brute force. Hems and collars and cuffs give an outfit depth and texture without adding too much bulk. You want to look intriguing and multi-dimensional, not like Joey in Friends wearing all of Chandler’s clothes.

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‘No influencers’: the hotels, restaurants and beauty spots restricting photoshoots

Backlash against content creators includes restricted hours for filming and even outright bans

Stand in any vaguely photogenic spot these days on holiday and the chances are you will come across people posing with raised phones and even ring lights. Some may be influencers with huge audiences on social media, others just overkeen Instagram users. With hotels and beauty spots now so overrun, however, bans on photography are coming into place.

The five-star Hotel du Cap-Eden-Roc in Antibes, known for its glamorous clientele, views of the Côte d’Azur and a stunning infinity pool, has brought in rules against photoshoots: no longer allowed without prior permission.

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Fast-fashion giant Shein outperforms several Australian retailers on ethics, report says

Ghanda and Windsor Smith are among lowest-rated in Baptist World Aid ethical fashion report based on metrics such as wages and sustainability

Online fast-fashion giant Shein is outperforming many Australian high street retailers on ethical standards, according to an industry review.

The 11th Baptist World Aid ethical fashion report, released on Tuesday, assessed the ethical practices of 138 Australian and international companies, representing 543 fashion brands.

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Sunday, October 18, 2026

Alexandra Shulman: ‘Which book am I ashamed not to have read? Literally the whole canon of classic English literature’

The former British Vogue editor-in-chief and author on a romantic kiss on a traffic island, her school-run regrets, and a very expensive nude

Born in London, Alexandra Shulman, 68, studied social anthropology at the University of Sussex. She was a secretary at Over 21 magazine and, in the early 80s, became a journalist at Tatler. In 1990, she was made editor of British GQ and, from 1992 to 2017, she was editor‑in‑chief of British Vogue. For her contribution to fashion journalism, she was awarded both an OBE and a CBE. Her books include novels and the bestselling memoir, Clothes … and Other Things That Matter. A collection of essays, Black Coffee and Red Lipstick: Notes on Living, is out now. She is married for the second time, has a son and lives in London.

When were you happiest?
Anytime that I’m lying in the sun next to a swimming pool with a good book.

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Friday, October 16, 2026

How to dress a tech oligarch: The Social Reckoning’s costume designer on Zuckerberg’s style evolution

Susan Lyall worked with actor Jeremy Strong to research the Meta CEO’s favorite Nikes and luxury sweaters

The first Aaron Sorkin Facebook movie, 2010’s The Social Network, helped cement the early aughts image of Mark Zuckerberg rebelling against corporate norms in rumpled hoodies and T-shirts.

The follow-up, The Social Reckoning, is carbon-dated from 2019 to 2021. This is “post-hoodie”, as the movie’s costume designer, Susan Lyall, describes it, “post-thumbing his nose” to formality. It is also peak robot. Zuckerberg’s reserved wardrobe of suits or interchangeable long-sleeved shirts echo his chilling composure throughout, even as fury simmers under the surface.

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